[Daedalus] kissed his son, which he was destined never again to do, and rising on his wings, he flew on ahead, fearing for his companion聽.聽.聽.聽the boy began to rejoice in his bold flight and, deserting his leader聽.聽.聽.聽directed his course to greater height.鈥擮惫颈诲'蝉 Metamorphoses Book VIII^{1(lines 211-213,223-225)}

In Brueghel's Icarus, for instance: how everything turns away/Quite leisurely from the disaster聽.聽.聽.聽/ Something amazing, a boy falling out of the sky.鈥擶. H. Auden's poem 鈥淢us茅e Des Beaux Arts鈥�^2(p87)

Pieter Bruegel's (c 1525-1569) satirical drawings of the stories of Daedalus, Icarus, and Perdix are unique in their interpretation of Ovid's Metamorphoses. In Book VIII, Ovid tells of Minos, king of Crete. When Minos refused to surrender the beautiful white Cretan bull for sacrifice, Poseidon demanded that as his punishment, his wife, Pasipha毛, would fall in love and adulterously mate with the bull. A son was born, the legendary Minotaur, with the head of a bull and body of a man. Shamed Minos demanded that Daedalus, the renowned architect, construct a labyrinth to hide the Minotaur. Later Minos blamed Daedalus for complicity both in facilitating Pasipha毛's mating with the bull and also in aiding his daughter, Ariadne, who plotted with Theseus to kill the Minotaur. Thus, Minos held Daedalus captive on Crete. Daedalus, trapped by land, sought to escape by sky with his son. He constructed wings for himself and Icarus from feathers using thread and wax to bind them. As Daedalus worked, Icarus played idly by with the feather down and playfully put his thumbprints in the soft wax.^{1(lines 198-200)}