The 'Game of Thrones' prequels: everything we know so far
Hereâs what we know about the five potential new shows
Hereâs what we know about the five potential new shows
Hereâs what we know about the five potential new shows
In September, that Bryan Cogman, a veteran producer of HBO's Game of Thrones, is currently working on the show's fifth prequel series, which George R . R. Martin announced . All five projects are all super-secret, but there are a few details fans should know to hold them over until we get more info.
Game of Thrones showrunners David Benioff and D.B. Weiss have decided not to have too much involvement in the prequels, but will , leaving the door open for new showrunners with new takes on the world of Westeros. Five writers, some working more closely with author Martin than others, are in the running to take the Thrones universe in a new direction.
All the shows will feature entirely new characters, so donât expect any fan favorites to return, according to . The storylines likely wonât link up to any weâve seen on the HBO series already, and reports Martin denied fan theories that the shows will be based on Ser Duncan the Tall and Aegon the Unlikely, or center around Robertâs Rebellion.
Also, donât get too excited for a Game of Thrones bonanza. Casey Bloys, programming president at HBO, he might only let one of them air, and none would hit television until after the eighth and final season of Game of Thrones. As of now there have been no major commitments about the showsâ formats or timing.
Martin heâs been talking to all five writers, and they all have visited him in Santa Fe to talk about specifics:
âEvery one of the four has visited me here in Santa Fe, some of them more than once, and we've spent days together discussing their ideas, the history of Westeros and the world beyond, and sundry details found only in The World of Ice & Fire and The Lands of Ice & Fire... when we weren't drinking margaritas and eating chile rellenos and visiting Meow Wolf. They are all amazing talents, and I am excited to be working with them. In between visits, I've been in touch with them by phone, text, and email, and I expect there will be a lot more back-and-forth as we move forward.â
Hereâs what we know so far about each writerâs prequel projects.
Prequel #1: Max Borenstein
Max Borenstein, a screenwriter for Kong: Skull Island and an upcoming Godzilla movie, is working on a prequel idea for HBO. He hasnât said anything about his project, but he did speak to about his experiences working on both smaller scale and big-budget projects. âSometimes it makes sense for a studio to plug screenwriters who do smaller, dramatic pieces into movies that are of giant scale,â he said. âWhat theyâd like to do is bring those giant-scale movies down to earth a little.â
Prequel #2: Jane Goldman and George R. R. Martin
Jane Goldman, writer of The Woman in Black and cowriter of Kick-Ass and the Kingsman movies, is developing a pitch for a Thrones spinoff. "I am just writing ideas and outlining some things,â she told . âI really can't say very much about it, but yeah, it's all going well. I'm having lots of fun making stuff up!" When asked if the show would combine her sense of humor with her love of gory horror, she said, "I don't know if I'm allowed to say, but I would say yeah! Those are things I love, and things I like to do. It would be remiss of me not to put them in. So yeah.â
Prequel #3: Brian Helgeland
Brian Helgeland, who won the Best Adapted Screenplay Oscar for L.A. Confidential (and, the Razzie for The Postmanâs screenplay), is working on a prequel idea for Game of Thrones. More recently, he was behind the movie Legend, which starred Tom Hardy in dual roles as twins. He hasnât talked about the project, but back in 2015 he said television wasnât for him. âItâs only in the last four or five years that thatâs become an option, but Iâm not interested in TV,â he told . âI want to make movies so Iâm going to die with my boots on.â
Prequel #4: Carly Wray and George R. R. Martin
Carly Wray, a writer for The Leftovers and Mad Men, is working on a prequel idea with Martin. Wray hasnât done much press around her previous projects—or around this one—but she is coming straight off another critically beloved HBO drama, so the transition would be pretty easy for her.
Prequel #5: Bryan Cogman and George R.R. Martin
reports Bryan Cogman, a co-executive producer and prolific writer on Game of Thrones, is working on a fifth prequel. He worked with George R.R. Martin on the concept, but of course is tight-lipped about what the show is about.
Martin hinted at a fifth prequel series in the works back in May, without mentioning Cogman's name. âHeâs a really terrific addition,â Martin wrote on his . âA great guy and a fine writer, and aside from me and maybe Elio and Linda [who run Westeros.org], I donât know anyone who knows and loves Westeros as well as he does.â
A prequel show wonât arrive until at least 2020.
âIf we do a pilot and series, nothing is going to air on HBO until at least a year after the final season. We're not doing a final season and then, âFollowing it at 11 p.m. … ,ââ Bloys recently told . Since HBO that Game of Thrones Season 8 airs in 2019, that means a spinoff show wonât air until 2020, the earliest.
They wonât revisit the âA Song of Ice and Fireâ storyline.
Bloys told THR that the GoT Season 8 finale doesnât leave the door open for revivals or reboots down the line. âThat's not happening. This story, A Song of Fire and Ice, is done. There's no revival, reboot, spinoff talk,â he said.
HBO is reportedly eyeing a budget of over $50 million per season.
The network's senior VP of drama, Francesca Orsi, revealed in a recent panel that HBO has planned a massive budget for the spinoffs. "$50 million (per season) would never fly for what we are trying to do. We are going big," she said, according to .
To put that into context, when Game of Thrones first debuted, the budget was about $6 million per episode in Season 1, according to . With 10 episodes, that's an estimated $60 million budget for the season. It looks like the spinoffs will kick off with a much higher production value. (For , the cost has more than doubled to $15 million per episode.)